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THE EASE OF RICHNESS

By Saturday, January 30, 2016

Sartorial pinstriped suits with comfy turned-up pants leaving the ankle naked, leather and suede jackets combined with the classic shaped pants or the tight slim leather trench coats, or yet the wisteria violet/lilac double-jackets suit worn by model Lucky Blue Smith, along with the same shade of shoes, surely hit the jackpot as the most outstanding pieces of the collection. And again, Bordeaux blazer and pants combined with a black t-shirt, foulard around the neck and maxi Bordeaux handbag to complete the look; while red-orange pants are worn with a same shaded leather jacket, with grey t-shirt and shoes underneath, master this elegant outfit.

It’s all about combination and colours matching, the key of Berluti’s Fall/Winter 2016 collection presented at Paris Fashion Week last week. Different shades of colours mixed and integrated one another with style and elegance. A red coat can vary in multiple shades, better choose a dark reddish purple red to wear with ease, and know for sure it’ll look great with a black jumper and a pair of black pants, if you want to maintain the levels of elegance high. Same thing for Bordeaux pants, to wear with a black pullover and black shoes. If instead, during winter you don’t want to wear a trench coat or a coat over the dark grey suit, or the pinstriped suit, you can always combine it with a dark green leather jacket. If you prefer more classic colours, black is a well working long-lasting companion for men, maybe divvy the total black look up with the accessories, as for instance a Bordeaux handbag, while to complete the total black look effect, a black leather jacket as outerwear piece.

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Luxury and comfort, proper of the sportswear world, meet the ultimate sartorial overlay in Berluti’s new collection, which proposes the jersey cloth, elevating the more simple fabric of the jogging pants to a higher level, through the adoption of luxurious yarns, united to an excellent sartorial mastery. Jersey, which is present throughout the entire collection, is adopted also in the sartorial blazers. Redundant layers, linings and shoulder pads are eliminated in order to give space to the more comfortable knits and sweaters, while ingenious cuts secure the linearity and the precision of the classic tailoring. Blazers are combined with tight skinny jogging pants to create a new mix between the formal wardrobe and the free-time clothes. There are no shirts in the new collection. All of the t-shirts are created through knitwear. The versatility of the sweaters gets highlighted from various necklines: collars, round-necks, v-necks and Polo’s. Proportions are less formal. From bombers to parkas, the coats shorten themselves, presenting more squared shapes than last seasons: only the trench coats overcome the knee length. The set-in sleeve characterizes most of the jackets, where sleeves are extended till the neck, guaranteeing more freedom of movements. All the collars present a making process, which boasts an innovative folding technique. Fabrics include talcum-opaque ultra-light waterproof leather, kangaroo laminated leather used in both unlined jackets and feather quilted anoraks, un-oilskins nabuck and laminated cashmere used for the coats. The suits and outerwear cloths include technical Japanese spool knitting obtained with the matching of cotton, wool and mohair, while the evening velvet suit blazer is made out of pure silk. The various kinds of jerseys have been weaved in four different weights and densities of soft cashmere, which vary from 300 to 700 grams. Jumpers are characterized by twelve different shades of weaved cashmere. This micro-multicolour effect has been used also for the tweeds, imitating the Nineteen Century wools, which were obtained from various left-over’s knits. Here, the cashmere mix are dyed into the various shades of colours.

Berluti eventually ended the day with a FW16 menswear collection that truly stood out from the jam-packed fashion week schedule. Alessandro Sartori perfectly knows how to transform Berluti's century-old heritage into desirable, of-the-moment menswear. And his latest runway show at le Musée des Arts Décoratifs in Paris was just further proof of his ability to transcend history and celebrate Italian craftsmanship in a contemporary way. As always, his designs were timeless and trend-less, meant to last in a men's wardrobe. This season, however, he added a dark touch to his “easy tailoring” signature style. Inspired by tattoo artist Scott Campbell, Sartori updated his men's wardrobe with smoky and ink colored hues and a distinct sense for edginess. One thing is certain: whether channeling effortless chic or sophisticated tailoring, Alessandro Sartori knows how to express refinement and comfort like no other.

Not only an iconic brand of the more sophisticated male tradition, but a brand appreciated also by new generations. This sounds like Alessandro Sartori’s ambition for Berluti, according the his new collection, which is always luxurious, but more easy, with a cast of younger models, picked by their peculiar personal style. Anything started from a travel that the creative director of the Lvmh’s belonging’s brand made by himself to Marfa, Texas. The sun-discoloured sand, the bushy spontaneous grasses, along with the work of the world-known tattoo-artist Scott Campbell, have given the inspiration to Berluti’s FW16 collection.

The first signal of this Berluti’s “young” turn appeared on the runway with the artistic tattoos created on the leather surface of bags and shoes, aside from the skin of some of the models. «Scars, piercings and tattoos. I’ve always considered the leather used to make Berluti shoes and bags as human skin. When it came to creating a modern, colourful and youthful new collection for Berluti for the winter season, I could imagine no better collaborator than Scott Campbell. His evocative designs hark back to the ancient heritage of early civilisation while looking futuristic in their clean lines», said Berluti’s Creative Director Alessandro Sartori. Shapes introduce informal proportions, and a balance between softness and hardness of the silhouettes, soft but with volume. Tops are squared no matter how the model is or its length, while coats, bomber jackets or sartorial blazers fall naturally over the shoulders. Carrot fit pants, made out of mohair fabric, also available in wool jersey, distinguish themselves by a short cut that leave out the ankles naked. A single cut gives life to bust and kimono-alike sleeves, which characterize the lapel-less coats, jackets and sweaters.

Colours remind us to the desert shades: scorpion black, prickly pear, stony shades of reds, salted lake white, tar grey, rust orange, buffalo brown, cactus-flower violet, petrol blue, desert grass green shades and wood bark. Berluti has also thought of a new sneaker type for the winter season: open air, which has more of a running-show profile with rubber sole. All the shoes present copper reinforcement elements on both tips and heel.

The rustic tones did much to ground the otherwise exclusive looks, and Sartori found within this collection a well-balanced fusion of richness and reserve. It was a wonderful collection in quiet luxury and if Berluti's corporate owner is not (legally) allowed to purchase anymore shares of Hermes, Sartori is giving Mr. Arnault the next best thing.

Simone Bronzi
Creative Director of RooMXMatez TM

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Backstage photos courtesy of Berluti:

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